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Soft Cell's Creative Genius Dave Ball Dies, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) created Soft Cell alongside Marc Almond in Leeds in 1977

Dave Ball, a key member of the innovative 1980s electronic music band Soft Cell, has died at the age of 66.

Together with singer Marc Almond, the duo scored a global success with their cover of Gloria Jones' the classic track Tainted Love in the mid-80s, and their first record their initial full-length release is regarded as a classic of synth-pop.

He subsequently founded the pioneering electronic act The Grid, who secured popular acclaim with 1994's Swamp Thing.

Ball died peacefully in his rest at his home in London on Wednesday 22 October, only a short time after performing a featured performance with Soft Cell at the Rewind Festival in Henley-on-Thames.

Health Struggles

During that show, Ball performed in a wheelchair, as he had for the last two years, after a period of health issues.

"I ended up damage myself significantly," he stated in a recent interview. "I broke lower vertebrae in my spine and cracked about five ribs and fractured my wrist."

After catching a lung infection and suffering from blood poisoning, he was put in an induced coma and stayed in the hospital for half a year.

Nevertheless, he had been in "a great place mentally" over the warmer months, as he was developing a fresh record with Almond, titled the upcoming Danceteria, which is scheduled for release next year.

"He was concentrated and so happy with the latest project that we literally completed only a few days ago," stated the singer in a heartfelt message.
"It's so sad as next year was completely planned to be such an uplifting year for him, and I take some solace from the knowledge that he heard the finished record and felt that it was a masterpiece."
Soft Cell performing in the early 1980s
The band were at the forefront of the synth-pop movement in the beginning of the decade

Heartfelt Messages

Almond referred to his collaborator as "a wonderfully brilliant musical genius", stating: "He was the heart and soul of Soft Cell and I'm extremely pleased of our legacy.

"Thank you Dave for being an immense part of my existence and for the songs you created with me. I wouldn't be where I am without your influence."

His Grid bandmate from The Grid, also paid tribute, remembering Ball's "endless laughter" and "unwavering friendship".

"Being in a duo with someone is distinct from being in a group, the connection is very tight," he continued.
"That was the case with us. We went through so many extraordinary, extraordinary, memorable moments together. Thank you, Dave."
Dave Ball in 2018
Dave Ball, photographed at BBC Radio 2 in 2018

Formative Years

Born into a one-parent family in the city of Chester in the late 50s, Ball was put up for adoption when he was 18 months old.

He was raised in the seaside town with his new family his caregivers, who changed his first name from his birth name to David, together with his sibling Susan, who was also adopted.

He encountered Almond at Leeds Polytechnic in 1977, where they were both studying fine arts. Fuelled by a mutual passion of a music genre, they established Soft Cell the very year, and promptly recorded an extended play.

Creative Collaboration

The duo were an unusual pairing: Ball was the quiet technician, hunched over his synthesizer, while Almond was a flamboyant performer, all sparkle and eye-liner; but they achieved a rare musical alchemy.

Ball had developed a fascination with synthesizers after viewing Kraftwerk appear on a television science show Tomorrow's World, and started to marry moody electronic sounds to the catchy tunes Almond was writing.

Their signature song became the United Kingdom's second most popular song of the early 80s, shifting millions of copies globally. Together with hits by Gary Numan, Human League and Ultravox, it contributed to cleared the way for the electronic music style of the 80s.

The track was also featured on their first album, their initial LP, which spawned two further top five singles: Bedsitter and Say Hello, Wave Goodbye.

They followed the record up with the stand-alone single, Torch, which reached at number two in 1982.

Soft Cell in the studio
The duo were working on new material right up until Ball's death

Career Highlights

Fame had its upsides. "I loved being able to afford my initial property, having money and travelling, which makes me sound like a Miss World," Ball not long ago shared with a publication.

But it also caused challenges. "Newfound wealth allowed we could afford substances to relieve the boredom" of press appearances and TV performances, Ball explained.

"I realize that's a cliché, but it's a truism for a good reason, because it applies for so many musicians."

Amidst the hedonistic lifestyle, the pair were also growing distant, but they managed to create a second classic album - the unconventional, tense and fittingly named The Art Of Falling Apart.

They put out one more LP, 1984's This Last Night In Sodom, before dissolving the group to focus on individual endeavors.

Almond went on to have a successful individual path, including the top 10 hit Something's Got A Hold Of My Heart; while Ball formed The Grid, who combined acid house with ambient pop over a long-lasting collaboration.

Later Work and Comebacks

Soft Cell came back together in 2001, releasing the charting record Cruelty Without Beauty.

After another hiatus, they returned in recent years, releasing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was intended to be a farewell show at the large venue on September 30, that year.

Yet, they remained active, recording their fifth album, Happiness Not Included, during the pandemic Covid lockdown.

Ball recently described the duo's new album as a homage to the New York club scene they visited while making their initial records.

He noted that his period in hospital had influenced the band's sound.

"I experienced strange recollections when I was in and out of hospital because I was on pain medication," he told a publication.
"The new songs are a electronic representation of the noises in my mind from those days.
"Simultaneously, it's about the times me and Marc got up to in the 80s."

The final mixes were finished only days before Ball passed away. It is scheduled for release in Spring 2026.

The writer

Cassandra Krause

A tech journalist and digital strategist with over a decade of experience covering emerging technologies and their impact on society.

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